Thoughts

• 

  [Review] Off Centre overwhelmed by nostalgia

  20 Feb 2019 My first encounter with Off Centre is in 2015, during Esplanade’s The Studios: fifty, directed by Oliver Chong. Then, I...
• 

  [Review] Oliver Chong's Off Centre balances reality with surreality

  19 Feb 2019 Just last week, Faith Ng’s play, Normal, made its curtain calls to optimistic reception. Normal, directed by Claire Wong, discussed...
• 

  [Review] You Can Reach The Sky - Never too young to be a director

  11 Jan 2019 The performers use familiar items which can be easily found in most household. You will be surprised at how your babies, who may be unable to focus on an activity at home, are able to follow this 30-minute long play...
• 

  [Review] You Can Reach The Sky brings the stars down so that the children may touch it

  10 Jan 2019 Light light. Fall down. It is my first time attending theatre with my sister; I am not sure how to prep...
• 

  [Review] The Old Woman and the Ox lacks a confluence of ideas

  26 Nov 2018 Understandably, a newly written play can be a challenge to stage. The Old Woman and the Ox got too heavy...
• 

  Meeting Charlie was also seeing my inner self - A Reflection

  24 Nov 2018 I am so happy that Charlie has an opportunity to be performed here. Otherwise I would never have known that...
• 

  Southernmost 2018 Physical Masterclass Students' Presentation - A Reflection

  10 Nov 2018 Nget Rady and Didik Nini Thowok carry within them traditions of the Cambodian male masked dance form (Lakhaon Khaol) and...
• 

  [Review] Lear Is Dead lacks a two-way dialogue in response to the original script

  4 Nov 2018 When the curtains opened (figuratively, because there were no curtains), I felt hopeful and excited about Nine Years Theatre’s (NYT)...
• 

  [Review] Framed by Adolf, framed by Chong, insinuates a post-truth regime

  2 Jul 2018 There are many common qualities between last week’s Citizen Dog and this week’s Framed, by Adolf: The static noises used...
• 

  A response to the dramatised reading of Euginia Tan’s Habits

  26 Jun 2018 Previously titled The Man In The Coffin, Habits is a play that attempts to explore faith and kinship under the...
• 

  A response to the dramatised reading of Jo Tan's Forked

  24 Jun 2018 A monologue by Jo Tan herself is really what this play needs I suppose. I haven’t seen the previous iterations...
• 

  [Review] Citizen Dog — A twisted satire written in the image and spirit of Liao Zhai

  18 Jun 2018 Citizen Dog is a dark and twisted fairy tale. Actually, it is just like any other Hans Christian Anderson’s or...
• 

  [Review] Citizen Dog recontextualised and modernised old themes from a classic literature

  16 Jun 2018 This play is honestly such a trippy ride. Even a week later, we’re still not sure what to think. The cast...
• 

  [Review] Dragonflies focuses on climate change, adaptation and the survival of the fittest

  9 Jun 2018 Dragonflies’ plot is a circle of life. The play starts with death, then a series of unfortunate events that takes...
• 

  [Review] Sentiments of Space: Reading Between the Frames of Singaporean Director Don Aravind’s Films

  22 May 2018 How, in just three minutes, does a storyteller convey deep emotion through minimal exposition? Singaporean director Don Aravind, whose work...
• 

  [Review] How Did The Cat Get So Fat indeed

  10 May 2018 One senses the social ills, becomes aware of the disadvantaged, understands the vices of materialism and necessity of economic prosperity. As a responsible and active citizen, now is the point to ask yourself...