Thoughts
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25 Sep 2020
Every 40 seconds, we lose a person to suicide globally. What if we’re able to create an environment that allows...
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7 Sep 2020
Learning how to sketch and read bodies in Eng Kai Er's (Kai) Posing Questions is almost akin to my journey in...
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3 Sep 2020
How does a nation revive a language? How does a nation retrieve its lost narratives? How does a nation socially integrate its ageing population?
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23 Aug 2020
当我们走进去的时候,除了墙上投射的光圈,以及房间角落微明的灯箱之外,是完全的黑暗。水滴从空中落下,通过手电筒和地面的反射,动态地投射在墙上。在我们找地方坐下后,艺术家很随意的谈了...
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8 Apr 2020
We're experiencing an unprecedented global crisis, probably the biggest of our time. As I sit at home, sinking into thoughts of existentialism, pondering on the state of the arts and...
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18 Mar 2020
In another successful theatre adaptation, the Intercultural Theatre Institute brings Sarah Kane’s 4.48 Psychosis to the Singaporean stage.
Kane’s play, first performed in...
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7 Mar 2020
The Son is a play that fully embraces its difficult subject matter. It doesn’t shy away from the pain and...
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26 Feb 2020
Fika & Fishy by Patch and Punnet is a performance featuring the unlikely friendship between adorable, innocent Fika the Dog...
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16 Nov 2019
The exploration of the mind is not unlike the exploration of (outer) space. The mind, like the deep space, evokes...
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13 Nov 2019
我第一次看这部戏的时候是在排练室里。排练室的空调没有剧场里的那样强劲,所以排练一开始,这部戏的唯一演员钟达成躺在床上的时候,他是没有像正式演出那样盖上被子的。我可以清楚看到他光着上半身的身体,他的肌肉和骨骼的形状。
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12 Nov 2019
The diversity of these relationships is impressive. We even get to witness the delightfully surprising connection that springs up between a self-involved upper-class woman and the prostitute she hires...
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21 Oct 2019
今晚坐在这里的观众,又有多少人知道曾经有多少生命走过脚下这片土地?我们是否在乎过这片土地的前世今生?《土》试图呈现历史的部分面貌。时间是距离当下大概两百年前,但我们没有像“体验式”的活动那样“走入”历史,而是看着身穿白色服装的说书人走上台,冷静地对着我们以华语叙述一段类似传说的故事。
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11 Jul 2019
《喜欢数字的孩子》的这些故事,应该可以比场刊里所说的“牵动观众的内心”或“回忆起那些与数字相关的故事与感动”做得更多。而这取决于如何观看、从哪个角度观看、看到后采取什么行动...
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25 Mar 2019
Dear L and Xiaoyi,
This is your most accessible show to date. I like it more than Einstein or the Carpark....
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24 Mar 2019
Even before the play starts, the audience are already grappling with the maths of finding their seats, amidst the rows...
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20 Feb 2019
My first encounter with Off Centre is in 2015, during Esplanade’s The Studios: fifty, directed by Oliver Chong. Then, I...