Visual Arts, Talk/Workshop

Residencies OPEN

Organised by: NTU Centre for Contemporary Art Singapore
  • Date:
    18 Sep 2021
  • Time:
    1:00pm – 7:00pm
  • Venue:
    NTU Centre for Contemporary Art Singapore
    NTU Centre for Contemporary Art SingaporeNTU Centre for Contemporary Art Singapore
  • Language:
  • Admission:
    Free, registration not required


Residencies OPEN showcases the diversity of contemporary art practices and the divergent ways in which artists conceive of an artwork with the studio as a constant space for experimentation and research.

Come by the studios of our Artists-in-Residence: Tini Aliman and Russell Morton (both Singapore) for a special insight into their artistic process. This session of Residencies OPEN will allow you to encounter works-in-progress, watch a film screening, browse archival materials, and talk to the artists in person!

Open Studio

Saturday, 18 September, 1:00 ­– 7:00 pm
Block 37 Malan Road, #01-03
no registration required

As a new development of her long-term research on plant consciousness and biodata sonification, Tini Aliman has come to regard 'dead' trees as potential archives of environmental soundscapes, witnesses of urban development and extractive capitalism, ecological events and climate change. Breathing new life into tree stumps, fragments of felled trees, and repurposed wood from previous artworks, the artist is reconfiguring these materials into kinetic and sound sculpture prototypes and she is experimenting with a range of sensory and mechanical modes of activation. Conjunctly, inspired by the structural and functional similarities between Printed Circuit Board (PCB) etching designs and forest underground network ecosystems, Tini is also speculatively imagining a functioning network of closed electronic circuits that mimics how these trees would have communicated while they were still alive. This project is realised in collaboration with

Working at the intersection of film, sound, theatre, and installation, often through collaborative projects, the sonic and spatial experiments of Tini Aliman (b. 1980, Singapore) focus on forest networks, plant consciousness, bioacoustics, and data translations via biodata sonification. Her recent projects and collaborations have been presented at Free Jazz III: Sound. Walks. NTU CCA Singapore (2021); An Exercise of Meaning in a Glitch Season, National Gallery Singapore (2020); Sound Kite Orchestra, Biennale Urbana, Venice, Italy and Stories We Tell to Scare Ourselves With, Museum of Contemporary Art Taipei, Taiwan (both 2019).

Open Studio

Saturday, 18 September, 1:00 ­– 7:00 pm
Block 37 Malan Road, #01­-02 & Block 38 Malan Road, #01-06
no registration required

For the past six months, Russell Morton has dived deep into gathering research materials and audiovisual references for the script of his first feature film. Inspired by a not well-known historical event—a prison riot which took place in Pulau Senang before Singapore's independence—, the film interweaves the horrific events of the bloody riot with regional folklore. This open studio session presents a generous selection of archival materials, oral histories, and sound recordings relevant to the development of the script as well as the documentation (shot on Super 8mm film) of the artist' site visits to a kelong, a type of vernacular architecture on the verge of disappearing that will feature prominently in the film.

In The Screening Room, there will be the opportunity to watch Morton's latest short film Mystic and Momok (2021) which revolves around the eclectic and versatile figure of artist Mohammad Din Mohammad (1955 – 2007). The film evokes Mohammad's multifaceted personality through the faces, voices, and memories of the artist's family members and an experimental process where affects and sounds are mediated by technology.

The filmic and performative practice of Russell Morton (b. 1982, Singapore) explores folkloric myths, esoteric rituals, and the conventions of cinema itself. His film Saudade (2020) was commissioned for State of Motion: Rushes of Time, Asian Film Archives, Singapore, and presented at the 31st Singapore International Film Festival (2020); The Forest of Copper Columns (2015) won the Cinematic Achievement Award at the 57th Thessaloniki Film Festival, Greece (2016) and was selected for several festivals including the Short Shorts Film Festival, Tokyo, Japan (2017), the Thai Short Film and Video Festival, Bangkok, Thailand, and Jogja-NETPAC Asian Film Festival, Indonesia (both 2016).

Residencies OPEN